Category: Reviews
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Disclosure Day Leaves You Wondering: Where’s The Wonder?
Emily Blunt soars in this uneven dud. Should Spielberg get a pass for failing to deliver a blockbuster, the genre he created?
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DISCLOSURE DAY lives up to the hype
What we have here is another all-timer on a resume of all-timers for Steven Spielberg.
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THE FURIOUS an exhausting adrenaline rush
Make plans to see it on the big screen but pack an IV drip. You’re going to need all the stamina possible to get through this one.
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SCARY MOVIE 6 hilarious at times, tired in others
A ton of these ideas are perfect for sketch television, to the point where SCARY MOVIE really makes you wish IN LIVING COLOR was still on the air.
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SEVEN SNIPERS an intense flick with so much potential
Because it has a great premise, because the acting is solid and because it’s so intense, SEVEN SNIPERS begs for a higher score.
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JACK RYAN: GHOST WAR a carbon copy of Mission: Impossible
A slightly-better-than-average action movie that features good-but-nothing-special performances and a recycled plot from a superior franchise.
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THE BREADWINNER a winner… for the whole family
Parents and grandparents of all ages can take kids at any stage of life and everyone will enjoy THE BREADWINNER to some degree.
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Backrooms is all dread. No destination.
Kane Parsons can build a room. He just can’t build a movie. Yet. Backrooms is a first person, existential dread fest for thos raised on internet.
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PRESSURE a war epic with one Major problem
Scott is outstanding as Stagg, somehow bringing intensity and momentum to the even keel, hardly-ever-rattled character, and Condon is a force to be reckoned with any time she’s on the screen. But then there’s Fraser.
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TUNER plays all the right notes
TUNER has heart, intrigue and a sense of awareness, weaving many genres into one (in the best way). You can’t ask for much more in two hours.
Untitled Film Project 